Showing posts with label vice magazine. Show all posts
Showing posts with label vice magazine. Show all posts

April 28, 2011

Jess Gough

"I was thinking about this the other day actually because I found some pictures that I took when I was a kid. There wasn’t any definitive point when I got into [photography], just a growth in enthusiasm. When I was younger it was a tool to set down memories which is pretty much what I still do now. But then inevitably as I’ve become more obsessed with it I’ve also become more theoretical – not for the sake of putting some bullshit words behind an image, but because I began to realise why I was taking photos and what it did for me. That in turn opened up whole new sources of fascination. That’s the thing; I’m just fascinated by it. Every element." - Jess Gough in an Interview with Rebel Magazine.

Why do you choose film over digital? - Rebel Mag
"It’s real. It’s not abstract little translations of light onto a electronic screen. Too much is like that these days. It scares me how intangible so much stuff is and how it could just be like BOOM, gone forever. I also really like the aesthetic qualities that come with it- that’s why I switched in the first place, not because of some torturous personal ideology that I felt I needed to cater to." - well put..

www.jessgough.co.uk

January 10, 2011

Jonnie Craig

  1. Jonnie came to me recommended by Ryan McGinley so my first thoughts were 'this better be good.'
  2. On his first job for the magazine I made him get a bunch of his friends nude and run around the centre of London at night, in the middle of Autumn. He got photos of them all naked in Trafalgar Square Fountain, being chased by security and having a homeless guy wave his penis at them. He nailed it.
  3. Jonnie's photos have a great sense of mischief and adventure in them, which separates them from a lot of other contemporary 'art photography'
  4. Andy Capper, Vice Editor


October 24, 2010

Dash Snow

Dash Snow is renowned and idolized by some and virtually unknown by others.  He is remembered as a controversial pop-cultural icon, a brilliant photographer, an underground street artist, a successful New York contemporary artist, an intense friend and father, and as a rebellious socialite and member of high society in the arts. "He embodied everything that I wanted to photograph and everything that I wanted to be: irresponsible, reckless, carefree, wild, rich" - Ryan McGinley.  However subtle or obvious his influence, Dash Snow has greatly impacted art and popular culture today. Snow’s prolific Polaroid series documents his rebellious youth in a grimy, yet simultaneously glamourous way.  Because his lifestyle is displayed in his works, Snow’s polaroids offer an unbiased view into Manhattan’s underground nightlife. Arguably, his work presents the deterioration of New York high society in favour capturing the realness of each moment.


"We were always taking photos. We loved to document our adventures and then compare them later. He carried his Polaroid camera everywhere. His photos were from the heart--he had a loving obsession with taking photographs. I always assumed he shot Polaroids because he had the worst case of ADD you could ever imagine. I think even waiting a minute for the image to develop was hard for him" - Ryan McGinley. 

Images from Vice Magazine donated by Ryan McGinley 
RIP